It didn’t lean because it was tired. The coneflower angled toward the low gold — a small bow to something bigger than itself. The mist drifted lazily above the ground, fading as sunlight passed through the trees. Behind the coneflower, smaller blooms were in various stages of life — some flushed with purple, others already curled inward, giving way to green. Quiet hung in the air, the kind that doesn’t last long but feels like it’s waiting just for you. For a moment, the whole field seemed to hold its breath.

By the time my shoes found this scene, the sun was just breaking free of the treetops. The path itself wasn’t much — just wet grass, leftover mud, and that soft, constant buzz of mosquitoes. But it’s where everything paused. The air smelled like earth and water and maybe something older than both. That coneflower — the one in front — didn’t reach toward the sun. It turned just slightly away, like it trusted the light to find it anyway. The rest were fading, petals dropping and color folding back into the stems. But this one still stretched. In that stillness, I felt my own back release, shoulders settle. And for a moment, I leaned too.
Some mornings, little happens. And still, somehow, everything does. A flower bows. A person slows down just enough to notice. It’s in those quiet moments where the photograph lives. Not in the technique or the timing, but in what the moment gave you and if your experience lets you. Walking back, I kept thinking about that coneflower, how it didn’t hold the warmth — it let it pass through. Maybe that’s what I keep coming back for: the way something simple holds more than it seems, if you’re still enough to see it.
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